Sarcophagus Of The Amazons: Etruscan Coffin With Paintings Of Dynamic Fighting Scenes Of Greeks With Amazons

The Sarcophagus of the Amazons is a large Etruscan sarcophagus of an unknown artist, dated back to the third quarter of the 4th century BC and preserved in the National Archaeological Museum of Florence.

It is a rare example of an ancient painting still preserving much of its extraordinary freshness. However, the restorations conducted in 2007 also contributed to the coffin’s appearance.

The painted alabaster sarcophagus dates to the 4th century BC (c. 350-325 BC). The four sides of it are decorated with polychrome paintings depicting various dynamic fighting scenes of battling Greeks and Amazons. The beautiful artifact represents an ancient Greek tradition of Amazonomachy, struggling between Greeks and the Amazons, illustrated with great variety: on horseback, on foot, on the chariot, etc.

Some brave women are winning, but others must die in this terrible fight. Those who fought the Amazons were Achilles, Bellerophon, Dionysus, Theseus and Heracles.

According to Stanford’s Adrienne Mayor, a research scholar in the Department of Classics, these warrior women actually existed. In her new book, ” The Amazons: Lives and Legends of Warrior Women Across the Ancient World,” Mayor explains the real world and history behind the folklore of the Amazons.

“Amazons were modeled on stories of self-confident women of steppe cultures who fought for glory and survival and enjoyed male companionship,” but, as Mayor puts it, “on terms that seemed extraordinary to the ancient Greeks.”
“The popularity of Amazon stories and images suggests that Greek women and men enjoyed imagining heroes and heroines interacting as equals and seeking adventure and glory in hunting and battle.”

The Sarcophagus of the Amazons” – with dimensions; 71cm x 194 cm x 62 cm – was unearthed in the Etruscan town of Corneto (now Tarquinia, Italy) in 1869. Once, there was also another similar coffin (but without paintings), which was later lost.

Researchers believe the artifact was manufactured in Greece and shipped to Italy, still semi-finished. Its origin is certainly Greek or Magna Grecia (the Italian Mediterranean peninsula formerly colonized by the Greeks starting from the eighth century BC).

The Greek artisans used the white limestone alabaster stone, a type that does not exist in Etruria, and other decoration features that have no comparison in the Etruscan context.

 

On the sarcophagus, there are two inscriptions in Etruscan language: a large one on the slope of the lid bears the name of the deceased “Ramtha Huzcnai” (TLE ^ 2 122); the other also bears her name with a few additions and is located on one of the long sides of the chest.

But it is worth noting that the Etruscan scribe did not bother to engrave the paintings.

Amazonomachy was expressed visually in more than 300 Greek vase paintings and sculptures.

The “Sarcophagus of the Amazons” gives us glimpses from the battlefield and the young Amazons involved in furious confrontations with the Greek warriors.

“One panel shows an Amazon in a short, belted tunic and trousers, described by archaeologists as young, bold, and powerful with a typical “pathetic-indignant” expression, rides a white horse with blue eyes. She turns to slash with her sword at an armored Greek with a spear. Another mounted Amazon wears a tunic, a Phrygian cap, trousers, boots, and leopard skin.

“Two pairs of Amazons in chariots drawn by four white, blue-eyed horses attack two Greeks on foot while another two Amazons prepare to slay a Greek on his knees between them. Two scenes of fallen Amazons, painted with particular tenderness and empathy, stand out because the women are nude.

“One has sunk to her knees, blood pouring from a spear wound, “pain and despair” in her face. The other nude warrior has fallen onto her shield while her attacker drags her up by the arm and is about to deal a death blow with his sword…” 1

While looking at the sarcophagus, it is important to stress that according to experts, the artisans and their workshop must have been of Hellenic culture.

However, they were not of Greek origin due to some minor though characteristic details regarding, for example, the harnesses of the participating horses.

Add a Comment

Your email address will not be published. Required fields are marked *